Melodic and Harmonic Intervals

So far, we’ve looked at intervals as harmonic – two notes played simultaneously.

Intervals can also be melodic – written one after the other.

For example, Harmonic Third is followed by Melodic Third.

a harmonic sixth from C to E on treble staff, next to a melodic sixth from C to A

Example

Here is the first bar of Beethoven’s famous Moonlight Sonata.

first bar of Beethoven's Moonlight piano sonata

Let’s analyse all the intervals one by one.

Harmonic Intervals

In the Bass Clef, we have the only harmonic interval of the bar.

A Perfect Octave (P8) from C Sharp.

first bar of Beethoven's Moonlight piano sonata showing a Perfect Octave

Melodic Intervals

In the Treble Clef, we essentially have a broken chord.

Let’s examine the intervals between those notes.

The first two notes make a Perfect Fourth (P4).

G Sharp – C Sharp

first bar of Beethoven's Moonlight piano sonata showing a Perfect Fourth

Between the C Sharp and E we have a Minor Third (m3)

first bar of Beethoven's Moonlight piano sonata showing a minor third

And finally, a Minor Sixth (m6) between G Sharp and E.

first bar of Beethoven's Moonlight piano sonata showing a minor sixth